About
01
I don't hold stock. I go to the quarry. I check the mining title in the Brazilian national registry, and I record the municipality and the number stamped on the block. Before I introduce a material to a client, I’ve already mapped its geological origin, its producer, and its position relative to comparable stones worldwide — so the conversation starts with certainty, not guesswork.
02
My connection to stone started early, noticing how material shapes a space long before I understood the industry behind it. That interest became a career the day I encountered Moulin Rouge quartzite on a sourcing trip — a material distinctive enough to make the case for representation over resale.
03
Traceability is not a box to tick. It's four things, checked one at a time: an active mining title, the municipality of origin, the number stamped on the block, and that same number on the slabs and on the shipping manifest.
Producers who can show me all four, I represent. Materials that can't, I decline — regardless of margin.
Certified — Inside LVMH · Brazilian-based, working internationally